Sensor · LIFL-11
Forty-eight spectral bands, one pulse.
Tight sans, mono labels, hard rules, maximum restraint. The current direction — neutral and engineered.
good for · product, specs, UIThe three families — Geist (sans), Source Serif 4 (serif), Geist Mono — paired the ways this brand uses them, plus the scale, numerals, and body over each surface.
Sans for product, serif for editorial, mono for data/labels. Three working combinations.
Sans display with a mono eyebrow — the product voice. Precise, technical, no ornament.
Serif headline over sans body — the editorial / research voice for longform and publications.
A serif lead under a sans figure, with a mono tag — the instrument-editorial blend for hero stats.
Six distinct typographic personalities — same content, different voice. They are not all mutually compatible; this is for choosing a direction, not mixing all six.
Tight sans, mono labels, hard rules, maximum restraint. The current direction — neutral and engineered.
good for · product, specs, UISerif throughout, like a printed paper. Authoritative, peer-reviewed; warmth from the type itself.
good for · research, longform, publicationsAll monospace, like an oscilloscope screen. Cold, literal, machine-first — high personality, low warmth.
good for · data, dark panels, dashboardsA large serif display against small sans body — magazine contrast. Editorial drama for hero moments.
good for · hero, campaign, aboutThe number is the headline; type is subordinate. The field record speaks in figures.
good for · stats, traction, dashboardsLetterspaced uppercase sans — spec-sheet / hardware-label register. Technical and compact.
good for · datasheets, labels, navOff-system faces — outside the locked Geist / Source Serif rule, to test whether a different type identity fits better. Each shows the wordmark and a heading.
Techy neo-grotesk — sharper, more startup-adjacent than Geist.
Geometric and even — quiet, modern science.
Sturdy grotesque — industrial label energy.
Display serif — elegant, editorial, a little unexpected. (Note the name.)
High-contrast optical serif — characterful and warm.
Art/experimental — distinctly non-corporate. Risky, memorable.
Mono display — full instrument / terminal commitment.
Retro-mono — quirky, editorial-tech.
Effects, not just fonts — outline, gradient, spectral, oversized, vertical, drop cap, emphasis, faux-condensed, highlight, grain-filled, justified mono.
Where flow-through systems average, we resolve — the field record does the rest.
STATION BAY OF BISCAY · POSITION 47.4N 4.2W · CHL-A 4.2 · CDOM 0.18 · PULSE 10S · 48 BANDS
Type in motion — prefers-reduced-motion turns these static.
One specimen per step.
Tabular figures with the brand's stylistic set — the number specimen used heavily across the site.
The same paragraph on each ground — confirms reading contrast holds everywhere.
Records the full echo-signal spectrum of the near-surface water layer across forty-eight narrow optical bands, resolving chlorophyll, CDOM, and suspended matter at metre scale.
Read the method →Records the full echo-signal spectrum of the near-surface water layer across forty-eight narrow optical bands, resolving chlorophyll, CDOM, and suspended matter at metre scale.
Read the method →Records the full echo-signal spectrum of the near-surface water layer across forty-eight narrow optical bands, resolving chlorophyll, CDOM, and suspended matter at metre scale.
Read the method →Records the full echo-signal spectrum of the near-surface water layer across forty-eight narrow optical bands, resolving chlorophyll, CDOM, and suspended matter at metre scale.
Read the method →